S Viswanath “Critics Week remains deeply attentive to the unconventional paths taken by artists who revitalise storytelling and experiment with new cinematic languages. Every new generation contributes to shaping the history of cinema. Watching this evolution unfold is a captivating experience—it’s a continual source of joy to be immersed in the boundless realm of imagination,” […]
S Viswanath If the celebrated auteur heavyweights take audiences on a solemn sojourn with their trademark cinematic styles and individual thematic concerns having pit their mastery to covet the prestigious Palme d’Or, an equally enterprising ensemble of cinema practitioners beckon cinephiles on a crackling trip Teenage Sex and Death at Camp Miasma (2026), directed by […]
S Viswanath A captivating contingent of score and one titles in the Cannes Main Competition by acclaimed art house auteurs are competing for Palme d’Or this year. The sumptuous smorgasbord of films tackling multifarious thematic concerns with individual idiomatic narrative styles and aesthetics, will have audiences, drawn from world over, as bees to the bonnet, […]
The Saiyaara team is back! After the phenomenal success of Saiyaara, that became the all-time highest grossing love story in the history of Indian cinema, the celebrated team of director Mohit Suri, producer Akshaye Widhani (CEO of Yash Raj Films) and breakout Gen Z stars Ahaan Panday and Aneet Padda are set to reunite for […]
“You know, some people say that Cannes is the worst place in the world to see cinema. It’s a paradox. They have the new films , lots of interesting films premiering there for the first time. At the same time it’s such a mess and a confusion. You have to run from one screening to […]
