S Viswanath Think La Cinef. Think FTII. Think India. This seems the new normal at one of Cannes Film Festival’s prestigious competition sections La Cinef. Since it birthed in 1998, as La Cinefoundation midwifed by French Film Critic Gilles Jacob (also responsible for Un Certain Regard selection & Caméra d’Or Award,) during its 27 years […]
S Viswanath The MARCHÉ DU FILM may be the business of all things hub of FESTIVAL DE CANNES Where the global film community gathers. Billed as world’s largest international gathering of film professionals. A film market forum with its unparalleled networking opportunities through 250 professional events, 1,500 screenings and 4,000 projects – the essential platform […]
S Viswanath “Critics Week remains deeply attentive to the unconventional paths taken by artists who revitalise storytelling and experiment with new cinematic languages. Every new generation contributes to shaping the history of cinema. Watching this evolution unfold is a captivating experience—it’s a continual source of joy to be immersed in the boundless realm of imagination,” […]
S Viswanath If the celebrated auteur heavyweights take audiences on a solemn sojourn with their trademark cinematic styles and individual thematic concerns having pit their mastery to covet the prestigious Palme d’Or, an equally enterprising ensemble of cinema practitioners beckon cinephiles on a crackling trip Teenage Sex and Death at Camp Miasma (2026), directed by […]
S Viswanath A captivating contingent of score and one titles in the Cannes Main Competition by acclaimed art house auteurs are competing for Palme d’Or this year. The sumptuous smorgasbord of films tackling multifarious thematic concerns with individual idiomatic narrative styles and aesthetics, will have audiences, drawn from world over, as bees to the bonnet, […]
